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Wednesday, December 30, 2015

Inferno in Oz - 3

High up in a ruddy tree,
Safe from harm (though terrified)
Lion watches o'er his woods
And all who dwell inside.

Goosebumps crawl across his flesh
As the sky grows dark and cold --
Something angry heads this way:
A rage so very old...

And yet, what's that the lion sees --
A furry creature, small and black?
"Toto's here," he asks himself,
"Does that mean Dorothy's back?"

But something doesn't feel alright...
'What's he doing sitting there,
And has he been eating more?
He's near big as a bear.'

Lion calls out to his friend
(Knowing Toto doesn't speak),
The hell-hound turns, bares ruthless teeth,
And Lion cries a squeak.

'He's getting bigger all the time --
Soon he'll grow as large as I!'
He calls to Toto once again;
And again, no reply. 

Hour by hour, the black dog waits
As Lion watches from the tree;
Until at last, he catches sight
Of Princess Dorothy.

Filthy, haggard and enraged,
So much different than before --
And when her Toto sees her there, 
He gives a mighty roar.

Here, the Lion sees the truth:
Toto's grown quite strong and tall,
But isn't getting bigger, though -- 
It's he who's shrinking small!

No larger than a kitten now,
He tries to roar, defend his place,
But no more than a tiny mewl
Comes from his tiny face.

'What to do? I'm powerless!
Regardless of my bravery,
I can't defend anyone,
Hardly even me.'

'Perhaps I'll ask Miss Dorothy
To help defend the Quadling lands!
The Good Witch trusts her, as should we
with Oz' fate in her hands.

Yet, he doesn't like the evil grin
That sullies Dorothy's pretty face --
Nor the Hellhound's furious growl
As Quadlings scream and race.

----

- © Jackson Cambridge, 2015

Saturday, December 19, 2015

Confession - 4

Standing there out in the open,
An actor on blood-painted stage;
My business too bloody to gage --
Her young body twisted and broken,
(I must have attacked in a rage)...
I had to quit standing there, frozen, 
Or I'd wind up a bird in a cage. 

Who was she, this girl I had ended,
To deserve such a horrible fate?
And why was I out here so late,
But to carry out deeds most demented?
She died in so ugly a state
From the fury with which I'd descended, 
And now there was no time to wait.

I sprinted back home like a missile
(I needed to get to my truck), 
My panic was starting to sizzle --
I couldn't be no sitting duck.
At that, my neck hair was a-bristle,
My clothing was covered in muck;
Outside, it had started to drizzle,
I was soaked, and I felt like a shmuck.

I went back to gather her body, 
And saw all the pain I'd imbued;
Her murder was sloppy and crude,
A pity, for she'd been a hottie. 
I stripped her right down, almost nude,
And felt the slight urge to be naughty,
But couldn't do something so lewd.

I rolled up her body in plastic
To keep it dry, out in the rain;
Scared to the point of insane,
I hadn't thought out any tactic,
My head was exploding with pain,
I knew I had done something drastic,
And knew it would happen again.
 ---
 - © Jackson Cambridge, 2015.

Tuesday, December 15, 2015

Inferno in Oz - 2

Deep in lands of midnight blue
Where once ruled Witch of wicked cause, 
Straw man hangs in field of corn: 
Scarecrow, King of Oz. 

Knowing not how he arrived,
Or why he can't move but an inch --
The pins and needles of his brain
Have ceased to poke or pinch. 

'I know this is no nightmare, and
Suspect I am alive (not dead),
But something here is deeply wrong,
For this is not my head.'

He tries to speak, but has no mouth
Or nose, and but one working eye;
No clue how he wound up here,
And no idea why. 

'Have I not been wise enough,
To be a worthy Emerald King?
Have I made some grave mistake
To be left here to swing?'

Of course, no answers come to him
(At least none the Scarecrow hears);
What irony -- to hang here deaf
Within a field of ears!

Struggling, he cranes his neck
And sees the hundred thousand nails
That hold him there, and then his mind
Runs clear off the rails. 

Panicking, the scarecrow screams
(in silence, not in words),
But silence has no audience
(Save maybe for the birds). 

Curious, they cock their heads;
A murder, black and beady-eyed; 
Almost sympathetic, though,
As if they hear his cries.

'Who has stole me from my home,
And put me back here in the corn --
Whoever did I treat so wrong
To earn this kind of scorn?

A better question, I suppose:
How am I to wriggle free
Without a brain, or arms or legs,
And but one eye to see?'

Nightfall comes so cold and dark,
With Scarecrow weeping silently;
'I suppose I'm stuck here... might as well 
Hope for Dorothy.

I know she shall come for me
And cut me down just like before;
Her kindness, I am certain shall
Set me free once more.'

----

- © Jackson Cambridge, 2015

Saturday, December 5, 2015

Interlude: Wading in the Stream

Hello, my friends. 

    As most of you know, I have begun the Herculean trial of writing the first draft of My Juliet's novelization.* My word count so far is 6,289, which is about 2,000 words a day, assuming it's my top writing priority. 

    Having said that, the regular poetry updates will slow down a little. I'm aiming for at least two poem updates per week, which is completely achievable. 

    Once the existing narrative poems are finished, I'll only be posting single pieces, because My Juliet is the product of every poetic thing I have shared with you all; the axle around which my entire body of romantic work revolves.** 
 
    I wanted to take a moment, finally, to thank all of you who have kept up with my work, and supported me through the past 2 years or so. Every single like on Facebook and Twitter star is soul food for me, and to those of you who have purchased from my store***, I am truly grateful. You are all tremendously wonderful people. Thank you.

- Jack.

----

* The 88+ sonnet Juliet narrative I shared with all of you is the novel's outline.  
** My darker work revolves around a different axle altogether, the outline for which is currently called Crawlspace. ;)
*** Hellbreaker is now available in my store in PDF and Special Edition formats, and more items will be added as I get time to finish them -- and, either of my poetry collections would be the perfect holiday gift for a loved one or any poetry fan. Signed copies are available, but time's running out. Grab them while you can!

Monday, November 30, 2015

The Asylum - 3

    She stood out there in the middle of the grounds, her frail body silhouetted by the vibrant colours of the morning sun. I silently watched her for a moment as she faced the sun, eyes closed, a small smile on her face (which was significant, because she never smiled at any other time, that I can recall. Watching her there, I felt as though I wasn't just wrangling a 'difficult' patient, I was witnessing something very important to her, even if I never came to understand why. As it happens, I never did. 

    I approached her slowly, keeping a generous distance between the two of us in case she was spooked again. Once I made sure that she knew I was there, I knew she'd resist going back inside. There was something about the sun that she needed-- maybe it was an anchor for her, you know? A fixed point where she could always find comfort, no matter where she was. Like I said, I had no idea why she was out there, but I knew it mattered to her, and she was going to fight like hell when I tried to get her back inside. 

    First, I had to see how lucid she was. Without moving or talking too loud, I tried talking to her. "Abigail?" No reply, despite her face wincing a little and her eyes darting to me for a half second when she heard her name. "Abigail, we have to go inside."

    "I don't want to." Her voice sounded deep and husky, in contrast to how small and vulnerable she was. "I want to stay here, in the sun."

    "Oh honey, you know that putting up a fight is going to land you in the shoe. Is that what you want?" I took a slow, careful step forward. "There are no windows there, you know. It's always dark."

    "I'm not leaving this spot."

    "Abby..."

    "No."

    What happened then was my fault, because I did it again. I touched her. Not in any aggressive way, mind-- I touched the back of her hand, lightly, a gesture of compassion that I don't regret at all, despite the fact that she scratched out my eye. That poor girl had been through so much that she deserved to feel the sun on her face, and I would have fought for her, lost eye or not -- but, she did what she did, because I did what I did, and there was no way around it. She was going to solitary.

    It happened so fast. The instant my fingers touched her skin, a primal noise came out of Abigail's throat, like the roar of some evil beast living just under the surface -- her hands with those wretched fingernails lashed out at me before I knew what happened. I felt a warm 'pop' as I felt my left eye rupture, and the blinding pain left me screaming on the grass. Almost instantly, a squad of orderlies tore across the lawn and piled on her. She didn't make a sound or move at all until they got close enough to touch her -- and I tried to holler at them to be careful, but I was a woman, and a nurse, so I wasn't surprised when I was ignored.

    They carted her away, and I never saw her again. I know she spent a brief time in solitary, but escaped shortly after with that awful monsters who murdered all those girls in the early 40s. You probably wouldn't remember, but he was a very bad man, and when the prison break happened and that godforsaken alarm went off, the entire Garden fell into chaos. Patients were screaming, laughing, climbing the walls. Even after I'd come back after the surgery, the place was a mess. I didn't say anything, because I didn't want to believe it, but I had a strong feeling that Abigail had something to do with the breakout, and the massacre. At least ten guards died on that day, and several of the staff were hospitalized with minor injuries -- could Abby have done that? I can't answer that. I don't want to think of her as a monster. 

    I never saw Abigail again, nor the animal that went with her. In fact, to this day no one's ever seen or heard from either of them again. I think about her now and then (every time I look in the mirror, actually), and I wonder if she's doing okay. 

    Wherever she is, I hope she found the sun.

[FIN]

----

© - Jackson Cambridge, 2015.

The Confession - 3

A week long vacation from work,
    (I told them that I was unwell - 
    The truth was too grisly to tell.)
"Yes, hello? Yes, I've gone berserk,
    And murdered someone as well.
    No, I just lost my marbles a spell, 
To be honest, the guy was a jerk."

I know how that lie would go over,
    So I made up a lie on the spot;
    I couldn't explain that we fought, 
Or the feelings taking me over.
    I tried to relax with some pot --
But no rabbit's foot or 4-clover
Made me less afraid to get caught.

I wanted to have a long shower, 
    But I couldn't get out of the coat --
    It tightened round my arms and throat,
My expression a horrified glower,
    I uttered a bleat, like a goat --
Till finally, I gave up my power, 
    And let my colleague steer the boat.

I drank until well past exhausted,
    Then sunk into my chair for a nap;
    My empty glass perched in my lap,
My will and resolve now accosted,
    I knew I was caught in a trap --
The jacket that I had adopted
    Made an offer I couldn't refuse. 

I awoke, my head throbbing, face ruddy,
    To find myself wandering the park;
   I must've sleepwalked in the dark
(My shoes were untied, and all muddy) --
The violence before me was stark:
I'd left someone gutted and bloody;
Torn her apart like a shark.

----

© - Jackson Cambridge, 2015.

Inferno in Oz - 1

Curled up in in a furry ball,
Tiny dog naps sleepily;
Suddenly, his ears perk up --
But what does Toto see?

Someone walking through the sand,
Familiar, but something's wrong...
Her steps are slow and purposeful,
Her eyes intense and strong.

Could it be her? Has she come home?
It's been so long since she's been here;
The urge to see her overwhelms,
But there's a twinge of fear. 

It's Dorothy, his nose affirms,
But different somehow, so enraged --
He feels her pain as if his own,
And now it's been uncaged.

Her boundless fury fills his mind
Black and slick, like toxic sludge;
Poisoning his loyalty
Until he shares her grudge.

If only he'd stayed by her side
They could have used the air balloon --
But dogs are made for chasing cats,
And the Wizard left too soon.

Worming through his little mind 
A fury never felt before;
He tilts his head, as if to bark,
But what comes out's a roar.

His body, fed by Dorothy's rage
Grows and swells in shape and size;
Strengthened by her mindless hate,
A fierce glow in his eyes. 

"Come to me, my special friend,
We need to leave this horrid place --
And if they will not let us go, 
Their world we shall erase."

He knows the sand is dangerous
For anyone to walk upon,
But Dorothy wears the Magic Belt;
For her, the curse is gone.

Frantically, he jolts awake,
Breaks into a panicked run,
Straight across the Quadlings' lands 
Lit by morning sun. 

His breath so heavy, steps so thick
Upon the ruddy ground,
Where once a terrier had been
There ran a hellish hound.

Waiting at the desert's edge,
He waits for Dorothy's return;
Whether they rule over Oz,
Or set it all to burn. 

----
- © Jackson Cambridge, 2015

Tuesday, November 24, 2015

'My Juliet' - Novel Teaser 1

  The poet sat quietly on the black leather couch, his caramel-coloured eyes distant and wistful, steeped in some sort of private despair. Across from him, sitting gracefully in a lavender plush chair, sat his new therapist; a slender, mousy woman with straight brown hair tied back in a sensible bun, pushing her glasses higher on her delicate nose and gnawing absently on the end of a ballpoint pen. Shifting in her chair, she thought a moment before speaking, as though treading carefully. "I can appreciate how hesitant you are, Mr.--"

    "Please," he replied without looking at her, his voice caressing her ear like velvet. "Call me Poet. I prefer that."
 Her face flushed with heat at the sound of his voice. "Very well... Poet. I understand your hesitation. I know this is cliché, but many people, mostly men, can often have a difficult time dealing with grief and loss. We don't need to talk about it if you'd rather not, but I have to wonder why you keep coming here if you don't want to open up." Her ice blue eyes pore over every inch of the man, memorizing every detail: his striking, chiseled features, underlined by the odd smirk of quiet amusement; his black silk shirt, top two buttons left lazily undone; his strong, well-groomed hands, fingers drumming to the song on the radio; the way his thick forearms would flex when he switched positions; even the way his chest would rise and fall with each breath. Get a grip, Nicole, she thought, suddenly aware of every wrinkle in the fabric of her clothes, every misplaced hair, chipped nail and uncovered blemish on her skin. Try to contain yourself -- he's a patient, for God's sake. You've seen male patients before.

    The poet's expression was stoic, neutral. "It's not that I don't want to talk about it, Doctor. Truthfully, I know I need to, but I've no clue where to begin. There's so much, and I suppose I'm afraid of missing a crucial detail."

    God, that voice. "Well, we've got the whole hour, so maybe start somewhere near the beginning, and I'll ask questions if something's unclear. Does that sound fair?" Her eyes narrowed, scrutinizing the tiny cues hidden in his reaction and noting the details in her head. Arms folded (guarded, nervous?), He doesn't make eye contact, but doesn't lack confidence or grace. Eloquent, educated (but not arrogant). Very meticulous about appearance, but seems relaxed.

    "As a matter of fact," the poet remarked, "I don't think that's fair at all. We need to define our terms -- you see, if I am to tell you of my past, I think it only suitable that I learn about yours. I may ask you a question or two about yourself as we sit here, if that's acceptable. Does that please you?" The last sentence was punctuated by a moment of sudden, intense eye contact.

    She sat hypnotized by that look for three agonizing seconds, her entire body trembling before she remembered he'd asked her something. "Yes! Yes, that would be fine -- though I assure you, my life is the opposite of excitement. I live alone, I spend most of my time reading, working, or playing with Dagwood."

His head cocked to one side, suddenly interested. "Dagwood… a dog?"

"Yes,” she replied. He's an old Great Dane. Are you a dog person, Poet?"

“I have a lot of respect for dogs,” he remarked. “Such unconditional love, and unwavering loyalty. We could learn a lot from them, don’t you think?” He turned slightly more toward her, his eyes gentle and kind. “Have you ever experienced a love like that, Doctor? A torrent of passion so intense and absolute that you would do anything for another person?”

Awestruck by his words, she lost her bearing again and found herself staring at him. Darting her eyes quickly down to her dark blue heels, she swept a wayward hair out of her eyes and muttered, “…no.”

    “A shame.” His eyes were distant again, his tone stoic and hollow. “If ever you are fortunate enough to experience a love like that, Doctor, I urge you to cherish it. The truest love is always wonderful, but tragically fleeting.” Taking a deep breath, he sunk back into the couch, lost in pensive silence. 

Nicole raised an eyebrow, scribbling on her notepad. A breakup? Now we’re getting somewhere. “Were you together long?”

“Over a year,” he replied. “Not a long time in the grand scheme, I suppose, but it was the most intense relationship –in fact, the only real relationship I’d ever had.”

“I find that difficult to believe,” she said. “You’re obviously educated, eloquent and well-mannered.” Never mind those topaz eyes, or the fact that the sound of your voice makes me weak in the knees, she thought, but didn’t say. “You seem pretty put together, which is more than I can say for a lot of people I talk to.”

“Thank you, Doctor. I appreciate that.” His sad eyes met hers again, sending another wave of electric heat through her again. “I wasn’t always, though. The person sitting on your couch is not the same man I was before… her.”

“Maybe that’s a good place to start, then. Would it be easier to talk about yourself first?” Like maybe your home address, how you take your coffee, or how tight the scarves are on my wrists when you tie me to the be—

“Very well,” the poet muttered, staring idly out the windows at the snow-buried November landscape, “but I assure you, it’s not pleasant, and most of it isn’t irrelevant now anyway. She’s gone.”

“Who is she?”

A solemn half-second’s silence hung in the air before he replied, with a deep, cleansing breath. “She was everything. She saved me; helped me escape from my own misery, and to become the man on your couch. I wouldn’t be who I am if it hadn’t been for her.”

“Tell me about that.” Here we go, she thought. Shifting in her chair again, her delicate feet slipped out of her shoes and she tucked her legs in, half-sitting in her chair. “Whenever you’re ready to begin.

----
- © Jackson Cambridge, 2015.

Friday, November 20, 2015

Inferno in Oz - Prologue, Pt. 2

PROLOGUE: THE WITCH-KILLER, PART TWO

Deep beneath the desert sand,
Within the Gnome King's halls of stone --
He threw her in a prison cell,
And left her there alone.

Uncounted years went slowly by
As she wept with lonely tears,
Trapped in jail all by herself
For more than 80 years. 

Bear in mind, for but a tic
That Dorothy, through Oz's power
Would never age, and never die --
A blessing long gone sour.

That much time in solitude
Wreaked havoc on her troubled mind;
Eventually, poor Dorothy
Left sanity behind.

The Gnome King, on his rocky throne,
The Magic Belt around his waist --
Kept Dorothy as his favourite prize,
And savoured victory's taste. 

He'd visit her near twice a day
To gloat about the girl's defeat;
Dorothy said not a word,
And stared down at her feet. 

One day, she'd taken enough.
She called the Gnome King to her cell,
Told him she was feeling sick
And to the floor she fell. 

When they came to Dorothy's aid,
She leapt to action, knocked them down,
Ran for King Gnome's royal hall, 
And hit him with his crown. 

Furious and most surprised,
The King of Gnomes, out for himself,
Fought hard 'gainst her fury, but
He lost the Magic Belt. 

She stood above him, put it on,
Felt its magic power surge,
And ordered all of gnomish kin
To serve him in her scourge.

And to the King, she whispered soft:
'You will lead the armies east, 
And once I've taken my revenge, 
On riches you shall feast."

Greedily, the King agreed
(The Belt would not allow his 'nay');
With twisted grin, her eyes on fire,
She sent the gnomes away. 

Once the sun had finally set,
And with the prison at her back,
She made her way on foot by night,
Her rage so cold and black. 

- © Jackson Cambridge, 2015.

Tuesday, November 17, 2015

The Asylum - 2

    Abigail wouldn't talk to anyone for the first week. I don't blame her, either. Anyone who looked at her for more than a few minutes could see she'd been through hell. She moved very slowly and deliberately, as though moving at all was a struggle, and her eyes, wild and huge, never seemed to blink, even though she didn't seem to be looking directly at anything. She made no sound, even when it was clear that it hurt to move, she barely ate, and she didn't let anyone touch her. Anytime anybody got close, she'd become a wild animal, biting and scratching until she was left alone.

    Like I said, I was fond of her, and I knew what would happen to her: it was 1943, after all. Nowadays, a shrink will talk to you about feelings and self-understanding, using medication as a last resort. Fifty years ago, schizophrenia was as big as AIDS is now, and no one knew anything about how to treat it other than shock therapies, insulin comas and scalpels. I had a feeling she wasn't insane -- horribly neglected and abused, but not insane. Just scared. I thought if she had enough time, she might come out on her own. But, doctors are doctors, and nurses are nurses, and at the end of the day my job was to do as I was told, and not talk out of turn, and that's just what I was going to do. My husband (God rest him) was off fighting the Nazis at the time, and I had two kids to look after, so I wasn't going to risk it just to be some kind of troublemaker. Times were tough enough already.

   Then again, I couldn't let the poor girl's brain get poked and prodded, or cranked full of chemicals and zapped until she wet herself, or screamed, or worse. There had to be a way to get through to her, and I had to do it before the orderlies put her in a straightjacket. 

    When I explained that to her, it didn't seem to register at first. She didn't move, or look up or do anything -- but she didn't get upset when I sat down next to her. She didn't react at all, as if she had no idea I was there, until I did something really stupid. 

    I touched her. 

    Just a light graze on the back of her hand, mind you, but it was enough that she scratched me so fast that I didn't even know what had happened until I saw the blood oozing down my arm. When I looked up at her in shocked surprise, her expression was unlike any I've ever seen; her breath was steady and calm, but her eyes, flashing a brilliant green, were the cunning, bestial eyes of a predator that would not hesitate to kill me if she wanted to. She didn't look angry, though -- she looked...

    I didn't touch her again. The next day, I sat in a chair across from her instead of beside her. I didn't tell the doctors what Abigail had done, because I didn't want her to be taken away for something I did wrong (touching a patient was a huge no-no for nurses), and when asked, I would tell people I cut my hand at home. I didn't mention it to Abigail either, and while it never happened again, I was always careful not to get too close.

    A couple of days later I went to check on her. It was still dark, and for all her strangeness, she slept perfectly through the night most of the time. It was as if the minute the sun went down, she went down with it -- so when I went to her room and found it empty, I didn't know what to do at first. Standard procedure was to lock down the asylum until the wayward soul was recovered, but no one liked it because the alarm was deafening, and it caused pandemonium with the patients. There were no rules in place for much -- the head Doctor (Byrne, I think his name was) insisted we sound the alarm whenever a patient wasn't accounted for, but the nurses and orderlies all agreed to avoid that bloody chaos whenever possible. If a patient was off where they shouldn't be, we all agreed to take up to an hour to locate them before we told Dr. Byrne, making as little commotion as possible.

    If it hadn't been for that unspoken agreement, I never would have paused beforehand to look around, and I wouldn't have seen Abigail standing barefoot in the grounds, standing perfectly still in the morning twilight, her face tilted up toward the sky. As I watched her out there, of course the other nurses came to rubberneck, asking me all kinds of questions, you know: what's she doing out there, how'd she get outside, that type of thing. They all knew Abigail was my favourite, and I guess they must have thought I had answers for them, but I really didn't know what to say.

    I had no more insight than the rest of them, because since scratching my hand, Abigail hadn't done anything at all other than gaze out whichever window was closest, as if longing for something that could only be found outside. I did know that having the whole nursing staff clustered in front of the window when the doctors came to do rounds, there'd be hell to pay.

    "Everybody go back to work," I muttered, not taking my eyes off the girl in the yard, "I'll go get her."

----

© - Jackson Cambridge, 2015.

Monday, November 16, 2015

The Confession - 2

Watching his slow expiration,
    His blood pooling on the cement,
    Beaten to fatal extent, 
My whole body seized by elation;
    Basking in his malcontent,
Deaf to his choking prostration, 
    I watched as the light in him went.

Once the poor guy's life was over,
    My rage and adrenalin sunk,
    I took one last kick at the punk, 
Unlocked the doors of my Nova, 
    And stuffed the dead guy in the trunk;
With no other details left over, 
    I suddenly wished I were drunk.

I had to get lost in a hurry,
    The gas pedal down to the floor;
    To my apartment I tore, 
Trying my best not to worry
    (I'd never killed someone before) --
My senses confusing and blurry, 
   Drowned out by vehicle's roar.

Finally reached my apartment,
    Against the closed door I was slumped;
    Thought of the guy I'd just bumped,
The smell was becoming abhorrent --
    Bloody hair matted and clumped --
The whole mess reeked like an armpit;
    The body would need to be dumped --
So I rolled it up tight in a carpet.
    
After what seemed like an hour,
    My energy shrunk to a mote,
    I swallowed the lump in my throat,
Undressed, and got in the shower --
Yet somehow neglected to note
    (Facial expression gone dour)
I was still wearing the coat.

- © Jackson Cambridge, 2015.

Wednesday, November 11, 2015

Faces

There are faces 
Faces in the ceiling 
The ceiling tiles
I can see them 
staring right back at me 
Waiting
Waiting for me to blink
So they can inch 
Just a 
Little

Closer

- © Jackson Cambridge, 2015.

Saturday, October 31, 2015

Sonnet - Hollow

No rest for the poor souls left behind,
Questions fall like hail upon the nerves;
No answers, and no comfort shall they find,
Despite the closure each of them deserves.

How does anything like this make sense?
Here one moment, in the next one gone;
Trying to imagine them "past tense" --
Never mind the task of moving on.

Yet life continues, day by grueling day,
As if nothing's happened here at all;
A life so prematurely snatched away,
Powerless t'ignore the reaper's call.

Would that I could close my eyes and rest,
But for this cold hollow in my chest. 

----

- © Jackson Cambridge, 2015.

Friday, October 23, 2015

The Confession (revised) - 1

So many items for auction;
    And so many poised to place bid
   On items dark -- better left hid;
Watchful, I exercised caution
   And kept my thoughts under a lid;
So many things up for adoption,
   I wanted them all, so I did--
Curiousity left me no option
  But to serve the whims of my Id.

My eye caught a varsity jacket,
    My excitement unusually flared--
    And no other bids undeclared!    
I'd need to remember to track it,
    Though my wallet was hardly prepared.
The auctioneer started his racket,
     Determined, I kept my jaw squared;
If I lost it, I might blow a gasket--
     That jacket and I would be paired.

So interesting, so enigmatic,
    Its mystery held me in thrall,
    Hanging there, up on the wall;
Its hold on me broken by panic--
    I missed the auctioneer's call!
Paranoid, shaken and manic, 
    Each hand in a tight-fisted ball,
My anger'd become near fanatic;
    (The jacket was mine, after all.)

Unshakable, this new obsession;
    I watched as the jacket came down,
    Regarded the buy'r with a frown,
And lapsed in my better discretion--
    I followed the man out of town. 
I must have made quite the impression;
    Startled, the man spun around,
    His face took a puzzled expression,
Before I threw him to the ground.

His begging cries earned him no quarter;
    My jealousy'd drove me insane,
    The craving a rampaging train-- 
All reason lost, past instinct's border--
    Heart black as the Biblical Cain. 
I set out to put things in order:
   "The jacket, or suffer some pain."
I suspect a hearing disorder;
    He put up a fight, and was slain.

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- © Jackson Cambridge, 2015